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Gabriel Singh Domínguez

415.572.9625  /  gabesingh@gmail.com  /  51 Model Ave, Hopewell, NJ

Carpentry portfolio

Howdy folks,

My name is Gabe Dominguez and I'm a multidisciplinary artist, founder of the award-winning Bicycle Music Festival, and a Broader Impacts Partner of the National Science Foundation. I moved to New Jersey from my home state of Utah last year with my wife and our two kiddos. For the past 20 years I've been working as a professional musician, sound engineer, and eco-event producer. However, as a longtime hobbyist and fan of carpentry, natural building, and most recently passive house construction & building science - cheering mostly from the sidelines - I embraced the move to NJ as my moment to suit up and finally jump into the game. Since then I've enjoyed taking on a variety of carpentry projects for my neighbors, sometimes repairing and sometimes creating, while integrating natural building techniques whenever I can. Check out what I've been up to:

Susie's Chicken Coop

I wanted this backyard chicken coop in Princeton to last for 100 years; so I built every joint traditionally so that it would hold together intrinsically, without relying on the longevity of metal fasteners alone. Although I did use pocket screws in the framing to reinforce the joints, the structure will hold together even when every screw rusts and fails. All the doors, including the Dutch doors, are built without using a single metal fastener, only 3/4" pegs and wood glue.

Natural building techniques used:

No pressure treated wood! Sill plates are coated with pure black pine tar (what Vikings used to waterproof their ships), and everything else is painted with traditional, non-toxic linseed oil paint for bulk water protection + vapor breathability.

Purple Porch

A hundred years of water had turned the corner of this Hopewell, NJ porch into soggy cornflakes. The owner wanted to shore up the structural issues but avoid an expensive complete porch replacement if possible. So with a surgeon's mentality I removed rotten wood and scarfed in new material as needed, and demolished the cracked masonry pier, building a new one in its place.

Natural building techniques used:

JOISTS: No pressure treated lumber. I treated the joists myself in a kiln (built by myself and my then 7 year old son) with an ancient, chemical-free, Japanese wood-preservation technique called yakisugi (often incorrectly referred to in the US as "shou sugi ban"), where wood is burnt/carbonized in fire, protecting it from both moisture and pests. The fire for the kiln was lit with an ember produced from a bow-drill kit (ancestral friction fire technique - no matches necessary), gleefully blown into flame by my son.
COLUMN: The original porch column could've been trashed, but instead it was rebuilt. It was hollow like a drinking straw, with a large cylindrical cavity running up its entire length. Because it was soft at both the top and bottom, I filled the cylindrical cavity with long custom dowels made from cypress (an intrinsically rot-resistant species), fortifying the column from within. I amputated the rotten foot from the bottom of the column and replaced it with a custom cypress block - also hollowed - so that a dowel could mate the block to the column (along with screws and glue).

Ringoes Rot Repair

The client and I talked about both budget and ecological consciousness in my approach to repairing the 20+ moments of rot around the exterior of her house, so I proposed to use a more subtle “surgical” strategy as opposed to a “complete demolition and rebuild” strategy to both minimize the amount of new wood needed, as well as to keep costs down.

Natural building techniques used:

Using what's already there: preserving as much original architectural trim as possible

Shed Door
Replacement
& Gate Rebuild

This client's shed door had been ripped off by the wind, so I made him a new one: far stronger and lighter than the original. I used weather-resistant signboard plywood (usually used for making outdoor signs for businesses), carved with a CNC machine into a shiplap appearance. This was then mounted in a lap-jointed frame made from naturally water-resistant sapele.

In addition to his shed door, he had another problem: the little gate that was supposed to be at the entrance to his back deck was in the garbage can next to his house, and he had a baby gate in its place. Upon inspection I found that 80% of the material was salvageable, so I rebuilt it, as well as some deck railings using sapele wood in place of pressure-treated (chemical) lumber.

Natural building techniques used:

Naturally rot-resistant sapele wood instead of pressure treated, and salvaging/ resurrecting a gate from the trash. 

Oak Floor

It was quite a puzzle to figure out how to install red oak floor in a 3-bedroom basement while maintaining maximum ceiling heights, over a very beat-up and very tilted, funnel-shaped concrete slab.

You might think: just use self-leveling concrete to flatten the entire subfloor and call it good. But I couldn't, or else some rooms would be left with a 5.5ft. ceiling height and others with an 8ft. ceiling. So instead of flattening everything together, I flattened each room to itself. This left each room's floor higher or lower, and tilted at a different plane than the one next to it. I then married these skewed rooms together with custom red oak transition strips (including one that had to twist like a DNA helix).

But let's back up. To flatten each room to itself was quite a trick, because I couldn't use "level" as a reference. "Level" had to get thrown out the window. "Flat" became my goal. I explained it to my family like this: think of someone picking up only one corner of a nice sturdy dinner table. The table's surface will remain flat, but it will no longer be level.
To find the flat plane that would maintain max ceiling height I used custom built criss-crossing screeds, referencing the highest single spot in the topography of the wavy concrete surface, and tilted and slid the screeds around until nothing bonked the underside. To create a strong subfloor at this newly discovered optimum plane, I used 2x4 joists, each meticulously custom-scribed to mate with the unique bit of wacko concrete floor it was being was nailed to.

Cavities between the custom joists were then filled with clean, dry, sand, tamped, and carefully feathered to meet the high spot.

Natural building techniques used:

Hardwood red oak, rather than toxic PVC. Flooring was toe-nailed instead of glued to minimize chemical usage and VOC's.
Flattened using compacted sand and lumber rather than carbon intensive concrete.
Finished with Rubio Monocoat, a non-toxic, zero VOC wood finish.

Wooden Chests

Made from a variety of salvaged lumber + baltic birch plywood, these children's clothes trunks were fitted with a soft-close gas strut to protect little fingers. Design is original.

Linen Closet

The original 1950's-era closet (last 3 pictures) was lead-painted and the shelves were stained and sticky. Since the closet wasn't square AND it had a twist in it, each of the six shelves had to be cut into its own unique trapezoid shape. Custom oak shelf supports, baltic birch shelves, pine baseboard.

References

Susie Jackson (Chicken coop / 2023)  ///  609.731.5642, skvjackson@gmail.com

- Kyle Stock (Shed & deck gate / 2023)  ///  843.259.1444, kylestock77@gmail.com

- Carl Davidson (local mentor and owner of Davidson Carpentry who has referred me most of my clients)  ///  609.915.7383, cmdcarpentry99@aol.com

Carpentry:

- Justin Ancheta (Owner of Soul Graffiti Productions) ///  530.305.9819, justinancheta7@gmail.com

- Ash Sanders (Award-winning NYC-based writer at Ash Sanders)  ///  801.916.6307, sanders.ashley@gmail.com

- Sonya Cotton (My wife, and longtime co-owner of Tiny Home)   ///  609.577.4318, socotton@gmail.com

Personal:

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